Showing posts with label Tales of the Aether Age. Show all posts
Showing posts with label Tales of the Aether Age. Show all posts

Friday, 26 April 2013

Writer's Update - Death of a Writing Nook.

In terms of writing progress it wasn't a very good week and a half I'm afraid. Didn't get much writing done thanks to a whole lot of time spent training for future employment so, while productive in one way, it was completely unproductive in the other. And to make matters worse I'm in the middle of a huge edit where I have to restructure one of my stories to cut it in half, all thanks to a character who selfishly stole the spotlight and made the story all about her (you will meet her one day and see what I mean). This situation has taught me that writing is a bazillion times less satisfying when you're adding words, not just remaking words you thought you had already finished a long time ago. A bazillion times worser!

But that's not the worstest part. The worstest part is that on Friday my favourite cafe for writing shut down!!!

Now, I have to admit, the 'my favourite writing cafe' and 'shutting down' are probably connected. One of the best parts about my favourite cafe was the lack of customers. That and there was also an air-conditioner, comfy chairs, decent music that was either a) too quiet or b) not that annoying, and most importantly, there was plenty of sugar and caffeine on tap made by people who already knew what I wanted. Apparently it wasn't very good coffee but I'm coffee illiterate so as long as there was plenty of sugar and caffeine in said coffee-related beverage then it was fine by me. Which helps when you're looking for a quiet cafe with few customers.

But now it's gone. And I have lost my writer's nook.

: (

In other writing news the Dieselpunk Showcase is quickly approaching 4,000 downloads. We're getting about 80 downloads a week which is pretty awesome. Now I need to get my finger out and write something else as a follow up. Which is a good segue into...

Short stories. Last writer's update I said I'd mention the Tales of the Aether Age collection I'm putting together to release at the same time as the Tommy Thunder books I'm writing. It's going to be an eclectic mix of at least four stories that fleshes out the Aether Age world.

I'm still going to be a bit sketchy on the details but there will be some familiar espionagists, a mad scientist whose secret lair is under attack from one of those annoying cloaked vigilantes, an automobile-equipped gin runner with more than her fair share of moxie, and maybe even an origin story for a most stylish character that will become important later on. All stories laced with as much 'punk as I can possibly distill into my typewriting fingers, not to mention plenty of pulpy fun ('scientifiction' pulpy fun).

Now all I've got to do is finish writing the things...

However, it's not all about me. Often... it's about Superman. The following clip is important. If you haven't seen it yet then you should. Because it's important. And awesome. So very very awesome:


Hope you have an awesome pulpy week    : )

Grant: the guy trying to edit old stuff so he can go back to writing new stuff.

Saturday, 6 April 2013

My first writer's update.

Hi. My name is Grant. And I'm a writer...

Okay, so I've been avoiding this. Avoiding the need to post a writer's update for a while now. It's not that I have something against writer's updates - far from it, they're the staple of most writer blogs and the reason people show up at writer blogsites - it's just that once I do one update on where I'm up to with my writing then I'm gonna have to keep doing them. For the rest of my writing career.

So the pressure is on.

Actually, I was hoping to delay giving writer updates for a while because I didn't plan on blogging until I had most of my writing ducks in a row ie when I actually had something to write about ie when I had things like book covers etc to show. But then the Dieselpunk Showcase opportunity came along and that wrecked everything. I had to dash out there and set up a blog, and apply for one of those GoodReads author accounts, and sign up to Amazon... A whole lot of work. But it did get me out there in internet writer land and for that I'm grateful. And I have a GoodReads author page now. Which is pretty cool :)

And now there are people googling my name. Which means... the pressure is back on. <disconcerted smiley>

Speaking of the Dieselpunk Showcase: we recently passed 3,500 downloads. Which is pretty good for an indie. It's a free book so a percentage of those downloads will be people who wont get round to reading it (they're called hoarders because they like to download stuff for the sake of downloading stuff - apparently it's a thing) but if even half of those copies are read then the project has been a success for our intrepid little band of authors. And with a steady trickle of downloads still coming via Amazon and more reviews and ratings showing up on GoodReads all the time, etc it can only get more successful.

If you have arrived here after reading the Showcase then, yeah, I'm the bloke who wrote the first story in the anthology, That Sort of World. Hope you enjoyed it. I've only got one more story on the web at the moment, a story posted over at Alternatehistoryweeklyupdate.blogspot.com called The More Things Change. It's another free short story set in the Aether Age universe, this time in a little gambling town called Las Vegas. It was a complicated little story for such a small word limit but I'm pretty happy with how it turned out.

Which brings me to the important stuff. Tommy Thunder and the Aether Age stuff.

If anyone's interested there is plenty of Tommy Thunder and Aether Age writing in the pipeline, all of which should be released some time this year. At the moment I am working on four separate books that I hope to release all at once some time in the next three months. (The schedule is up in the air until I finally do get around to organising covers and braving the gauntlet of paperwork that is the American IRS application form).

Yeah, that's right. Four different books to be released at once. With several more to follow.

Why four? The plan is to release enough story to get people interested in hanging around for the next issues and I figure if people like the first book then they'll want to read the next book but if it isn't released they may wander off and forget about me :( So I'm going to release four books and people who like my writing will be able to buy as many of them as they like and get properly immersed in the series etc.

Of the four books, three will be Tommy Thunder, Scourge of the Skypirate books (#1-#3) and the other will be Tales of the Aether Age volume #1 which is a book full of short stories similar to That Sort of World set in the Aether Age universe but not directly linked to Tommy's Carribean adventures.

And the names of these books (at this minute, which may change before publication)?

Tommy Thunder in: The Black Vixen of Deadman's Island & The Mystery of the Silent Zephyr.
Tommy Thunder in: The Race for the White Fedora.
Tommy Thunder in: The Big Fight at The Crater.

and...

And I'll keep the names of the Aether Age short stories for another post. I'll also have another post soon about how far I am along the path with each individual book etc etc.

So, if you've just wandered in - welcome to my quirky corner of the interwebs. If you've visited a few times then feel free to ask any questions you have or give any feedback on the website or my writing and I hope you stick around to enjoy the bizarre mix of Dieselpunk, pulp, alt history and other vaguely associated things this blog is turning into.

Cheers,

Grant. The bloke who writes the stuff.

Sunday, 3 March 2013

Pulp Manifesto: A Pulpy (Alternate History) World To Live In.



In honour of the posting of my short story over at the Alternate History Weekly Update blog I thought I’d post a bit about the alternate history aspects of The Aether Age and the world Tommy lives in. Originally I was going to wait a while until getting into the nuts and bolts of my alternate timeline (mostly because I still have plenty of research to do) but I’ll start by giving a vague run down of the key points that make The Aether Age a bit different to The Jazz Age that existed in our own history.

There are only two key differences separating the Aether Age from the Jazz Age but as every student of history knows, everything rides on those key moments. And the key moment for The Aether Age occurs much earlier than the 1920s. It occurs in 1803 with the signing of the Louisiana Purchase, the contract by which the United States of America bought France’s claim to a huge slab of land west of the Mississippi river for the paltry sum of 15 million dollars.
The original Louisiana Purchase superimposed over a modern map.
In the Aether Age timeline the deal went ahead as planned except for one minor detail – a line written into the contract stating that France retained an option to buy back the land at a future date if they so wished, at the going market rate. This small line of legal technicality just sat there, and nothing happened for over a century.

The second difference in the Aether Age timeline was the mysterious discovery of a new element – aether. This gas was first heard of just before the outbreak of the Great War and was quickly exploited in order to make zeppelin technology more efficient. This came both from its incredible lifting power, which far outranks helium, as well as its ability to easily transform from a gas to a liquid which allows for greater buoyancy and ballast control. It also helps that the gas is inert except under extreme conditions.
Yep, that Aether is workin' pretty good.
It better be...
 While the element was only just being utilised at the outbreak of the war its influence was enough to bump flight technology far enough along to drag out some of the worst battles in the conflict and allow journalists greater access to the battlefields of the Western Front via private aircraft. This became a propaganda nightmare for not only the English but their enemies as well. The English press first began releasing unadulterated footage and photographs of the European carnage which flew in the face of previously upbeat military reports, then other European press agencies did likewise. Confronted directly with the horror of the war, the public will for conflict began to wane, the war dragged out, and The Lull of late 1918 ended with the Armistice of late 1919, a ceasefire which resulted in an immediate cessation of hostilities but not much more. By the 1920s large swaths of Europe are still stretches of barbed-wired No Man’s Land and all sides warily eye each other off as they rebuild their war machines.
This never happened in the Aether Age: The 1918 Armistice.
 For the French this meant a ruined nation with the threat of an imminent return to warfare. With there being no end to the confrontation in sight the French government looked to the English strategy of evacuating many of its children to their colony of Canada in the hope of sparing them the incessant zeppelin attacks that plagued the British Isles. In their desperation the French explored all of their own options for a similar strategy. It was then that they were able to find the long lost clause in the Louisiana Purchase contract that would allow them to buy back a large slab of the United States. Were this purchase a success they would be able to provide their most vulnerable citizens with a refuge from the wars of Europe, as well as the economic base from which to continue their Western Front defences.

Needless to say, their initial overtures were met with a somewhat... muted reception. The United States was still divided about being involved with the war in a production capacity, let alone joining, and large rifts were forming between various states over the decision. However, no state advocated the selling of a large portion of the country, even if it was on the say so of a legal document of vague authority. 
But along came some villains...
 But a large cabal of New York industrialists and bankers were interested in the offer. At the going rate for property in the United States the country would make a mint selling off a significant part of its land. And if it was somewhere insignificant like – oh, Louisiana – then wouldn’t that be a price worth paying to receive France’s gold stockpiles and become the bank of the world, no matter what side of the Great War potential customers were fighting on?

What followed was a backroom deal that scandalised the nation. The consortium of industrialists and bankers sold the state of Louisiana to the desperate French, received the French gold, and then were amazed at just how outraged the rest of the country were. Outrage against New York quickly led to threats from other states, the worst being from Chicago which organised its own militia which in turn led to a tense stand off in which the nation braced itself for potential civil war. 
It was only Louisiana. Why are you all so angry?
 New York attempted to compensate by appealing to the citizenry, especially the rural heartlands. However their actions, such as aggressively backing the new and somewhat popular 18th Amendment instituting Prohibition, backfired, further alienating certain states who went so far as to threaten to secede if New York continued having so much say in political matters. It did not help that New York also began to benefit greatly from its newfound wealth and armed its own militia in case Chicago did attack.

In a turning point for the nation, a headline stealing threat was made by Washington and Oregon senators to secede to Canada if New York did not stop interfering via the Prohibition act. This was then met by disdain and arrogant insult from a young New York industrialist during a newspaper interview. The interview caused another scandal. And Washington and Oregon promptly made good on their threat. 
A Seattle resident from the Age of Aether.
 A call by federal authorities to use military action and bring the states back fell on deaf ears and, while the potential for reconciliation was high, further events soon made it impossible. Seeing the Union crumble under the leadership of New York’s robber barons, other states began to reclaim federal powers for themselves, including the ability to institute standing militias. 

Then, in a move that would irrevocably change the course of the United States of America, Texas held a referendum concerning their participation in the Union. By a slim margin the vote was won for independence and Texas reclaimed its status as a republic, a move that saw California and then the Midwest states quickly follow suit. Soon the powerbrokers of New York and Washington DC were left ruling a ‘United States’ bordered by Canada to the North, the MidWest Commonwealth to the west and the New Confederate Federation to the south, which itself was making gestures of war towards the Nouveau Republique de Mississippi to the south west. The Union was well and truly gone.
Viva Le Lone Star Republic.
 In the power vacuum that has followed the North American continent has been in turmoil. Not only has there been a civil war in Canada (which Churchill, in disgust, christened ‘the most polite civil war to have occurred in this or any other age’) but the abundance of aircraft being manufactured on the continent has prevented law and order forces holding sway on most of the boundary territory far from urban areas. Everything west of the Mississippi and north of Texas is now considered the ‘New West’ with the region falling into economic turmoil thanks to constant skypirate raiding and a mass exodus from urban areas, often west to California which now dubs itself CaliModerna. Both highways and railways were soon torn apart in economic battles between airplane armed groups until zeppelin cargo shipping became the only cost effective method of transporting goods with any certainty that they would reach their destination. And with the rise of criminal empires thanks to the Prohibition act urban politicians cling to in order to appease their rural constituencies, often police and militia forces are not the wielders of law and order they once were.
This happens all over what was once the United States.

Welcome to the Aether Age. Buckle yourself in :)

Thursday, 28 February 2013

New Story is Live on the Interwebs!!!- The More Things Change: A Tale of the Aether Age.

Another one of my short stories has just gone live over on the Alternate History Weekly Update blog. Yay!

It's called The More Things Change: A Tale of the Aether Age, it's set in Las Vegas and it's a humorous look at what happens when you put citizens of the various north American nations of The Aether Age in the same room. I'm quite chuffed by how it worked out.

It's actually for a competition they're running on the website called Balkanize Me! which got my attention. Balkanization is when a country essentially falls apart into many smaller nations which is exactly what happens in The Aether Age. My entry was late so I'm not sure I can win but every visitor to the story counts as one point towards deciding the winner.

Either way, it was a good excuse to explore The Aether Age's political landscape in a funny way and got me writing at speed, which is always a good thing.

It's free to read, so have at it. And remember: if you like the writing, compliments are the food of artists. Our egos must be sustained :)

That's two stories on the interwebs! Wow. I must be a writer now...

And if you're visiting the website for the first time you can find my other published short story in the free promotional anthology the Dieselpunk ePulp Sampler which is available for free at Kobo, Smashwords, GoodReads, WattPad, and a whole stack of other places. It's also available for 99c at Amazon and still coming to iBooks which is why I haven't done a big announcement yet - cause it's awkward pointing someone to a free ebook when it's being sold for 99c. Avoid if possible but if you really need that Amazon version it's there too.


Tuesday, 12 February 2013

Dieselpunk Manifesto: Why Write Dieselpunk?



Branding yourself a Dieselpunk writer is an odd thing to do, and to be honest it’s more for my benefit than any potential reader. I actually write pulpy action-adventure stories that involve biplanes, gangsters, Caribbean safaris and old-school mad scientists. But I do put a lot of effort into theming my stories in order to experiment with ideas and genres and for some reason I just clicked with the Dieselpunk vibe. I enjoy the stories that happen when I think Dieselpunk so that’s why I write them.

Working out why I enjoy them is a completely different issue.

I started writing Tommy Thunder set in the 1920s because that’s the golden age of adventure, a time in which the world still hadn’t been completely mapped, but the technology existed to take you to those places anyway. The chance to explore those blank spaces of possibility is what gives the era so many possibilities. It was this excitable attitude that characterises many of the writers of the era, a certain amount of idealistic positivity that, while in some cases poorly guided, it provided a world of imagination and possibility that looked to the stars and beyond with an energy that’s hard to match these days. Their imagination ran wild with stories of what was out there in the world, out there in the galaxy and out there in the future. It made for some fantastic imaginating.
The Future!!! We just don't think like this any more.
 But because of this pulpy optimism, Tommy Thunder is decidedly Dieselpunk-averse. While I can touch on Dieselpunk ideas, the pure naive optimism of Tommy under the clear blue skies of the Caribbean prevents me exploring the gritty cool of Chicago and New York, and with it the reasons why so many people love the symbols of the age, the clothing, the music and the design. I’m fascinated with the idea that people would rather live there than here and I want to know why. And I want to know why I enjoy all these things as well.
Not really a Caribbean kinda gal...
 So Tommy wasn’t enough. As fun as he is, Tommy is not able to explore the Dieselpunk side of life, a set of ideas that fascinate me no end and exists within the same era as Tommy, if not in the same spirit.  In order to explore Dieselpunk I need gangsters and fast cars and mad scientists and speakeasies, and while all those things will show up in a Tommy Thunder story, they won’t be distilled the way they will be in Tales of the Aether Age, my Dieselpunk ‘label’. In Tales I can go nuts and explore the arguments of Dieselpunk, get my noir on and explore the Jazz Age’s seedier political corners without compromising Tommy’s story. I get to explore ‘casual-isation’, ‘mainstream criminality’ and the everyday politics of art deco design while Tommy gets to shoot biplanes out of the sky. Everyone wins :)

Holodeck Dieselpunks/Tales of the Aether Age readers.
To that end I’d also like to announce something very exciting. This is where I reveal that my first piece of published writing will soon be released, a Dieselpunk story published as the first Tale of the Aether Age. I’m quite chuffed with how it turned out and it will be released as part of an anthology released in conjunction with Dieselpunks.org, the internet’s best source for all things Dieselpunk. More info to be posted during the week but for now I’ll leave you with the title of my first story and a working cover: 

That Sort of World: A Tale of the Aether Age.


Whatcha think? Release date is the 18th February so I'll have more details soon.


Tuesday, 5 February 2013

Dieselpunk Manifesto: What is 'Dieselpunk'?



Tommy Thunder and the Aether Age stories – especially the Aether Age stories – are Dieselpunk stories. So what is Dieselpunk..?

Dieselpunk is one of a few similar subcultures that use a particular historical era as inspiration for the way they dress, the way they listen to music and the way they do any number of things we all do in our day-to-day lives. The best way to explain it is to use an example (or two). At its simplest, Dieselpunk is about people who prefer to wear fedoras (old-school gangster hats) over baseball caps, or three piece suits over t-shirt and jeans. There are plenty of people out there who long for the good old days of gangsters, speakeasies and ‘proper music’ played by a real band who can sing without autotune. Those people are Dieselpunks.
A dapper Dieselpunk gent out and about.
 
But a lot of people like to take it to a much deeper level. These people use the style and culture of a previous generation as the outward signs of a much deeper philosophical belief system, a belief system they can be quite passionate about. In this much deeper philosophical aspect most of the ‘punk movements are fairly similar, from the Steampunks who enjoy dressing like Victorian era gentlemen, the Atompunks who like to dress like kick-arse 1950s-style roller derby girls and listen to rockabilly music, or the Cyberpunks who prefer to look forward to a future in which cybernetic implants are the norm. All these people are tapping the same basic desire – the desire to critique the present by asserting the past or future in a way that is ‘out of time’.

For the best illustration of this much more involved ‘punking I always look to the group that never gets any credit as ‘punks. The original ‘punking movement: the Chain-Mail ‘punks. 

You and I know them as Medieval Recreationists.
Going Medieval.

Why are they the best illustration of the ‘punking movement? Because what they do is by far the most involving, as well as most successful, critique of contemporary culture. Why? Because these people completely reject Modernity in one fell swoop. Longing for a life of simplicity where every human is still a craftsman and an artisan they recreate the pre-Modern world at Medieval recreation events. They camp out in huts, dress in completely different clothing and just go Medieval for the weekend. In doing so they assert the values of that lifestyle and point out that we’ve lost a lot along the way to our present Modern world with its temporary communities and mass manufactured goods. 

Like all of the most involved people in the various ‘punk movements these people make a statement about the world by just being. By adopting a whole lifestyle associated with a different era. Across all ‘punk subcultures, the adoption of a complete lifestyle you take with you into your everyday world is called being a ‘lifestyler’. It’s the most involved and most outwardly obvious form of being a ‘punk.
At the bar, 'punking.

But not everyone is a lifestyler. Some people are more interested in the less obvious ways of getting their ‘punk on, ways that aren’t necessarily visible but hold just as much meaning to the individual. Whether it’s listening to Neoswing music, decorating your walls at home with 30s era Hollywood pin ups, or spending your weekends watching old black and white movies and then arguing that ‘they don’t make ‘em like that anymore’ many people are just a little bit ‘punk. And if your ‘punking is exclusive to the cultural practises of the era stretching from the turn of the 20th Century to the end of World War 2 then you’re probably more than a little bit Dieselpunk.
They don't make 'em like that anymore. Sigh...

So how are the Aether Age stories Dieselpunk? Well for that you’ll have to come back next week...

Saturday, 2 February 2013

Tales of the Aether Age

The world in which Tommy Thunder exists is called 'The Aether Age'. I've given it a name because the world existed long before Tommy came along and, although Tommy will be the main focus of my initial stories, I will want to explore and flesh out the rest of the world as I go. In this way I can illustrate parts of the world that Tommy could never see. To that end I've developed The Tales of the Aether Age, a catch-all title for any story set in the same universe as Tommy but not related to Tommy himself.

For the most part The Tales of the Aether Age will be short stories in the same vein as Tommy Thunder adventures, each ranging from 25 to 50 thousand words and grouped together in volumes as necessary. They will also lean more towards the Dieselpunk end of the spectrum which is a genre I like to dabble in whenever I can. I'll talk more about Dieselpunk at a later date but essentially Tommy tends to scare off Dieselpunk stories because of his one track mind and residence in the sunny Caribbean, a place not optimised for most Dieselpunk stories.
Not really Tommy's scene. But not by choice, just by geography.
 So Tales is probably where you'll find me scratching out stories set in Chicago or New York or even Los Angeles. Stories that revolve around gangsters and their molls, lone lawmen trying to keep the peace on the New West frontier with the help of their trusty Thompson submachine gun, or wild recounts of the dastardly deeds of the continent's new breed of mad scientist who have taken it upon themselves to rule the world with the aid of science. All these stories and more will pop up from time to time under the banner of Tales of the Aether Age.

In fact I should be releasing a short story very very soon...